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Employing the expressive style he had developed during his stay in Paris in 1886–88, he applied the paint directly from the tube onto the canvas, creating thick impasto and intense hues. Because he was not allowed to paint in his bedroom, he painted the scene from memory or possibly drawings and used his imagination for the small village that did not actually exist. In that work, stars appear in bursts of yellow against a blue-black sky and compete with both the glowing gas lamps below and their reflection in the Rhône River.Īt the asylum, van Gogh observed the night sky from his barred bedroom window and wrote a letter to Theo describing a magnificent view of the morning star very early one morning in the summer of 1889. By the time van Gogh arrived at Saint-Rémy, he had already painted a few night scenes, including Starry Night (Rhône) (1888). In a letter addressed to the latter, he alleged that night was more colourful than day and that stars were more than simple white dots on black, instead appearing yellow, pink, or green. Van Gogh was also particularly preoccupied by the challenges of painting a night landscape and wrote about it not only to his brother, Theo, but to a fellow painter, Émile Bernard, and to his sister, Willemien. He experimented with the depiction of various weather conditions and changing light, often painting the wheat fields nearby under a bright summer sun or dark storm clouds. As an artist who preferred working from observation, van Gogh was limited to the subjects that surrounded him-his own likeness, views outside his studio window, and the surrounding countryside that he could visit with a chaperone.Īlthough van Gogh’s subjects were restricted, his style was not. While at the asylum, he painted during bursts of productivity that alternated with moods of despair.

Van Gogh painted The Starry Night during his 12-month stay at the Saint-Paul-de-Mausole asylum near Saint-Rémy-de-Provence, France, several months after suffering a breakdown in which he severed a part of his own ear with a razor. Vincent van Gogh: Self-Portrait Courtesy National Gallery of Art, Washington, D.C. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!.Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning.100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.

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